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Funtastic Festivities(香港節日英文版)

為了解決香港節日英文的問題，作者劉斯傑 這樣論述：

　　FOREWORD 　　Thus far, the series has explored a few aspects of our city’s daily life through Hong Kong Pop Up, Land-based Public Transport and Mobile Delights by the Cartful. This time round, I’m digging deep into my roots and exploring our traditional festivities which are rich in both history a

nd culture. 　　I was quite indifferent to local festivities when I was little－apart from knowing that there were holidays on certain occasions, my general impression was that a lot of formalities were involved. Being someone who disliked crowds, I found the celebrations rather exhausting. That was un

til I saw an exhibition at the Hong Kong Museum of History which gave me an insight into the historical and cultural values behind them. This, along with the amazing handicraft accompanying different celebrations, sparked my interest in festive customs. And so the journey began... 　　My most memorabl

e experience was watching the fire dragon dance in Tai Hang. This traditional celebration takes place every Mid-Autumn Festival and always manages to bring the community together despite the absence of business opportunities associated with holidays such as Christmas and New Year’s. Every single det

ail－from the offering of incense to the deities to the eye dotting ceremony in front of Lin Fa Temple, and from the dragon’s adornment with incense to the broadcast explaining the custom’s origins－is given utmost attention by young and old alike, so as to carry on tradition. It’s deeply touching to

see heritage come first and foremost. Moreover, I’ve discovered that the citizens of Hong Kong find solace in many of the festivities, which also provide opportunities for families to gather, thereby playing an integral part in unifying communities and creating a harmonious society. 　　The making of

this book was also influenced by festivities in the literal sense－in order to have it published in time for the Chinese New Year, printing had to be completed before factory workers headed home for the holidays. On top of that, I wanted to spend a carefree Christmas break with my own family. And so,

I toiled away day and night during non-festive days in hopes that everybody could enjoy the celebrations ahead! 作者簡介 　　Kit Lau has worked as a Chief illustrator, Art Director and Creative Director for magazines and animation studios. He is the Director and Art Director of the independent animated f

ilm My Mother is an Alien (2008) that garnered several awards in Hong Kong (IFVA) and Japan. In 2009, Lau published the critically acclaimed Hong Kong Pop Up, a pop-up book that chronicles the living conditions of a family over three generations and reflects on the transformation of Hong Kong over h

alf a century.

香港節日英文進入發燒排行的影片

中共防空作戰能力之研究

為了解決香港節日英文的問題，作者黃仕翰 這樣論述：

二十世紀90年代開始，戰爭型態發生顯著變化，作戰前夕，使用大規模導彈攻擊敵重要防空系統，致使其防空戰力難以發揮。中共於2015年《中國的軍事戰略白皮書》強調建構適應信息化作戰需求之空天防禦力量，以提高預警、防空反導等作戰能力。可見，中共仍致力於提升防空作戰能力，以維護領空、領海及國土安全。本研究採用歷史研究途徑，首先，梳理世界防空發展演變，進而瞭解中共防空發展過程及背景。其次，瞭解中共防空部隊之組織、任務及行動、武器裝備、人員訓練等。最後，與美國、日本防空部隊相比較，進而分析其作戰能力。研究發現中共軍改調整為五大戰區後，防空指管系統可能尚未全面建置完成，在內部演習中，仍未見陸、海、空軍防空部

隊執行聯合防空演習。其次，中共地面防空武器型式多，都將面臨系統整合、裝備老舊問題，未來勢必朝向具備系統化、高效能之地對空導彈。