Drypoint的問題，透過圖書和論文來找解法和答案更準確安心。 我們找到下列必買單品、推薦清單和精選懶人包

The Book of Vanishing Species: Illustrated Lives of 80 Creatures and Plants

為了解決Drypoint的問題，作者Forshall, Beatrice 這樣論述：

Beatrice Forshall is an artist whose work draws on the natural world. Her exquisite hand-coloured, drypoint engravings revolve around wildlife and themes central to conservation. In 2018 she was artist in residence at the Cambridge Conservation Initiative (CCI), a pioneering collaboration between re

searchers, policymakers and practitioners focussed on transforming the global understanding and conservation of our natural world. The Book of Vanishing Creatures is her contribution to the cause.

Drypoint進入發燒排行的影片

Tension: Twenty Weeks

為了解決Drypoint的問題，作者Fesmire, Christina Yasmin,Aum, Yeansoo,Myers, Bill 這樣論述：

Christina Yasmin Fesmire is a multidisciplinary artist and designer based in the Los Angeles area, working with a focus on printmaking and product design. She founded Studio Arteur in 2019, which specializes in product as art, and includes printmaking, drawing, textile and sculpture. Christina holds

a Master’s Degree in Industrial Design from Pratt Institute in Brooklyn, New York, a Bachelor’s Degree in Fine Art and Graphic Design, and has studied Film and Multimedia at New York University and New York Film Academy. She has exhibited and trained in various cities throughout Europe and Central

America, including The Royal Danish Academy of Fine Arts and Architecture in Copenhagen- Denmark, Germany and Mexico. View her work at www.studioarteur.com and on Instagram (@christina_fesmire, @studio_arteur). Yeansoo Aum earned a Bachelor’s Degree in Social Work (1992) and a Master’s Degree in Wom

en’s Studies (1997) from Ewha Womans University in Seoul, Korea. From 1994 to 1995, she worked as an executive producer for the Vista documentary film production, The Murmuring, in which she participated in making a film about Korean sexual slaves by Japan during World War II. After completing her M

aster’s program, she worked as an organizer at the Asian Center for Women’s Studies at Ewha University. In 1998, she moved to the United States and earned a Bachelor’s Degree in Fine Arts from the University of Minnesota (2002). We all do many things for tools to search out life. As a member of that

older generation, I have had a mixed history of expectations. My family culture is from the middle heartland of America, whoseroots begin as late 1700’s European immigrant farmers, miners and blue-collar workers. World War II was the impetus for the family to live and work in California beginning i

n the1940’s. Existing in the diversified cultures of California can be like experiencing life as a puzzle part while searching for a fit whenexploring education in arts, photography, printmaking and travel. How I became a tinkering and dabbler in printmaking was by chance. Often an admirer and owner

of some print art; I had a chance visit to Irvine Fine Arts Center. In 2015, I was on a quest as an amateur photographer to use the IFAC photographic studio lab. My connection to art and printmaking took adivergent path that day. The printmaking studio was an adjacent room to the photography studio

and with access delays to photography; I opted for a beginning class in printmaking. My story and journey into the printmaking realm of art began that day with a tour of the print studio and a challenge to make print andmaybe art. Printmaking became another sensory avenue as to how we can explore c

ultures. Print helped me explore the world of none words, symbolism, color and the craft of line and ink. With the help of instruction, the shared interest of other artisan printmakers I have been able delve into the world of print techniques, learning with the help from others to make print. Like l

ife, art and printmaking has many layers and venues in which to evoke ideas of an unspoken human language. For me, the art in printmaking has become an adventure in expectations when creating the unspoken language of print; so I journey on! Based in California, Fevzi Balli is a multimedia artist wor

king primarily in landscape photography and printmaking. Rather than focusing on one medium, he uses different techniques of visual expression that his stories call for. Recently he has been juxtaposing the realistic charcoal drawings with surreal cyanotype backgrounds in his artistic journey. I’m a

multimedia artist and art educator with expertise in numerous printmaking techniques (including monoprint and drypoint), as well as drawing, sculpture and collage. My prints, drawings, sculpture and other work have been exhibited throughout California and in locales as diverse as Springfield, Misso

uri, and Guadalajara, Mexico. I was born in Saigon and raised in Los Angeles, and I am a member of the multicultural printmaking collective Mono Grafico Colectivo. As a result, I’m especially attuned to the cultural mix that makes my adopted hometown of L.A. so rich - and to the pressures faced by s

o many first- and second-generation Americans. Bill Jaros earned a Bachelor’s Degree in Architecture from Syracuse University, New York in 1966. He then served in the Peace Corps in Tunisia, North Africa designing schools, housing and a bathhouse for the local community. Thereafter, Bill had a full

career as an architect in California designing schools, banks, industrial buildings, residences and a museum. Parallel to his architectural work, Bill has always drawn, painted, created sculpture and has produced drypoint prints. His ink drawings are influenced by architectural structure and landsca

pe form. The oil paintings continue the architectural and landscape ideas, as well as exploring the affect of color harmonies. The sculptural work created from recycled cardboard, plaster, wood and metal evoke concepts about the universal influence of geographical environments that constantly affect

our physical and spiritual well being. It is from these places that human rituals and ideas have evolved. The drypoint prints are created in many layers and configurations that are labyrinthine and map-like. Through all of his work, Bill believes that the true nature of what man can understand as r

eality is best explained through visual symbols and images. That is the role of all art. When I retired a few years ago, I took my first printmaking class. My experiences at the Angel’s Gate Printmaking Class with Nguyen Ly were inspiring and so much fun. I look forward to many more years of learnin

g and making prints. Paula Voss is a printmaker, painter and mixed media artist who draws on our societies’ most pressing issues for inspiration to spark inquiry and nurture dialog. Her works are at times whimsical and other times solemn, mirroring our own and our collective understanding: Who are w

e? How do we develop our values? What are our responsibilities to our communities? Find more of her work at her website: paulavossart.com and on instagram: @paulavossart. Zana is a versatile Art Director/Graphic Artist who has been creating eclectic visual artwork for over 20 years. Formally trained

as a graphic designer, she fell in love with printmaking processes and techniques, which still represent one of the main focuses of her creative expression. Her prints are heavily influenced by graphic design concepts while maintaining a relationship with classical and modernist roots. I discovered

printmaking five years ago and remain enthralled by its diversity and potential. The combination of technical skill and creative vision are a source of wonder in my life and I never tire of the element of surprise that each new project brings. Using everyday materials to create unique textures allo

ws me to showcase the intricate beauty in the ordinary and serves as a tangible reminder to pay attention to all that surrounds us. I enjoy combining these printed materials with other media to create unique works that delight the eye and engage the emotions. As a practicing psychotherapist, I explo

re themes related to identity, memory and the healing effects of nature.