Rapidly meaning的問題,透過圖書和論文來找解法和答案更準確安心。 我們找到下列必買單品、推薦清單和精選懶人包

Rapidly meaning的問題,我們搜遍了碩博士論文和台灣出版的書籍,推薦Paul, Christiane寫的 A Companion to Digital Art 和的 Pavlov’s Colon: Book One of the Trilogy a Sequence of Eventsvolume 1都 可以從中找到所需的評價。

另外網站RAPIDLY在劍橋英語詞典中的解釋及翻譯也說明:The embodied and ideologically embedded nature of cultural capital means that it cannot be transferred rapidly. 來自Cambridge English Corpus.

這兩本書分別來自 和所出版 。

長庚科技大學 護理系碩士在職專班 趙莉芬所指導 鄒季蓉的 探討鄉村中高齡慢性病患者資訊科技化健康識能與科技接受度之相關性研究 (2021),提出Rapidly meaning關鍵因素是什麼,來自於資訊科技化健康識能、資訊科技健康照護系統、科技接受模式、鄉村、慢性病。

而第二篇論文環球科技大學 視覺傳達設計系文化創意設計碩士班 葉于雅所指導 陳國良的 藝術麵包造型設計-以馬來西亞城市文化為主題 (2021),提出因為有 麵包、藝術麵包、馬來西亞文化、城市地標的重點而找出了 Rapidly meaning的解答。

最後網站Lahars move rapidly down valleys like rivers of concrete則補充:A .gov website belongs to an official government organization in the United States. ... A lock () or https:// means you've safely connected to the .gov website.

接下來讓我們看這些論文和書籍都說些什麼吧:

除了Rapidly meaning,大家也想知道這些:

A Companion to Digital Art

為了解決Rapidly meaning的問題,作者Paul, Christiane 這樣論述:

Reflecting the dynamic creativity of its subject, this definitive guide spans the evolution, aesthetics, and practice of today''s digital art, combining fresh, emerging perspectives with the nuanced insights of leading theorists. Showcases the critical and theoretical approaches in this fast-moving

discipline Explores the history and evolution of digital art; its aesthetics and politics; as well as its often turbulent relationships with established institutions Provides a platform for the most influential voices shaping the current discourse surrounding digital art, combining fresh, emerging p

erspectives with the nuanced insights of leading theorists Tackles digital art''s primary practical challenges - how to present, document, and preserve pieces that could be erased forever by rapidly accelerating technological obsolescence Up-to-date, forward-looking, and critically reflective, this

authoritative new collection is informed throughout by a deep appreciation of the technical intricacies of digital art Christiane Paul is Associate Professor in the School of Media Studies at the New School, New York, USA, and also Adjunct Curator of New Media Arts at the Whitney Museum of America

n Art. Prof. Paul is a noted curator who oversees the Whitney’s artport website and has for more than a decade conceived and administered the museum’s new media exhibitions, including Data Dynamics (2001), Profiling (2007), and Cory Arcangel: Pro Tools (2011). Other curatorial work includes The Publ

ic Private (Kellen Gallery, The New School, 2013); Biennale Quadrilaterale (Rijeka, Croatia, 2009-10); Feedforward - The Angel of History (LABoral, Spain, 2009); and INDAF Digital Art Festival (Incheon, Korea, 2009). She is the author of Digital Art (2003), New Media in the White Cube and Beyond (20

08), and co-editor with Margot Lovejoy and Victoria Vesna of Context Providers - Conditions of Meaning in Media Arts (2011).

探討鄉村中高齡慢性病患者資訊科技化健康識能與科技接受度之相關性研究

為了解決Rapidly meaning的問題,作者鄒季蓉 這樣論述:

背景:人口快速老化,慢性疾病與身體功能障礙的盛行率急遽上升,就醫及長照需求負擔繼而增加。延緩失能策略多元興起,疾病自我管理為健康促進重要之一環,隨著醫療科技技術與數位周邊的興盛推進,健康資訊科技化運用亦迅速蓬勃發展。然而,年長者及特定族群之資訊科技化健康識能與科技接受度,是發展健康照護數位系統時需考慮的。目的:本研究旨在探討鄉村中高齡慢性病患資訊科技化健康識能及科技接受度之相關性。研究方法:為橫斷式研究設計之描述性相關性研究,採立意取樣進行收案,對象為雲嘉地區45歲以上中高齡者,經醫師診斷為慢性疾病至某區域教學醫院門診就診者。採結構式訪談問卷進行資料蒐集,包含(1)人口學特性結構問卷;(2)

資訊科技健康照護系統接受度問卷;(3)中文版資訊科技化健康識能量表,來探討中高齡慢性病患資訊科技化健康識能與科技接受度(知覺有用性、知覺易用性、使用意圖)的相關因素分析。經研究倫理委員會審核通過後開始收案,收案時間為民國110年3月至6月。資料分析採描述性統計,與變異數分析、皮爾森積差相關與多元迴歸分析進行推論性統計。結果:有效收案樣本數為120人。資料分析發現相較於全國人口,收案的偏鄉長者的教育程度較低;45%未使用資訊科技健康照護系統;資訊科技化健康識能為中低程度,而科技接受度以「知覺有用性」構面得分最高,「知覺易用性」最低。鄉村地區中高齡慢性病患「性別」、「主要照顧者」、「教育程度」、「

生活費」、「視力狀況」、「擁有智慧型產品數」、「智慧型產品連網方式」及「年齡」等變項,分別與資訊科技化健康識能、和科技接受度具顯著相關(p

Pavlov’s Colon: Book One of the Trilogy a Sequence of Eventsvolume 1

為了解決Rapidly meaning的問題,作者 這樣論述:

The trilogy begins at a near future (Pavlov’s Colon - 2048) where the raw comingling of religion, capitalism, and human nature has dragged a bungling world down into muffled, choking crisis. Fortunately, a handful of clear-brained individuals from various corners of the globe are brought together

, either by luck or by a well-meaning algorithm, to become pivotal actors on the fragmented world stage. Driven by a shared sense of the profound inanity of the universe, they cobble together a way forward that is undeniably less bad than what almost was, and which allows human consciousness to live

on to fight another day. The second book (Macronome - 2128) describes the twilight years confronting the enigmatic band’s survivors, as the rhythm of failure is once again accelerating across the globe and humanity itself requires significant upgrades if it is to survive. The reboot scheme that eme

rges speaks to human creativity in the face of peril and our extravagant will to live. The strategy is less obvious than a spaceship escape to Mars, but far more achievable by a rapidly degrading species stranded on a crumbling world. The final book (Jason - 3215) offers a quiet reflection on one li

fe and the spinning universe of universes that contains it. In conversations between Jason, a donkey mystic who comprehends all of human history, and The Methods, the sarcastic and needy manifestation of all the working rules of the cosmos, an imaginative understanding is reached, a shared appreciat

ion between organism and organizer for the aching beauty of the doomed but universal struggle against entropy and the final stillness.

藝術麵包造型設計-以馬來西亞城市文化為主題

為了解決Rapidly meaning的問題,作者陳國良 這樣論述:

麵包是世界主要的食物之一,早期有許多麵包的歷史及操作技術也流傳世界各地。近幾年來麵包技術發展迅速,一個好的麵包要好吃必須有奇特的風味和口感,少不了外觀形狀及自然烤焙的焦黃色。而藝術麵包也是麵包類之一,藝術麵包具有獨特的造型及可以表現出主題與美感的一門專業工業技術。本次創作研究主題是來自馬來西亞各地的地標代表物。應用了藝術麵包的技術來完成各地標的代表物,創造出有特色的藝術麵包作品。首先以文獻研究方法來整理資料,摘取出馬來西亞地標代表造型的意涵,以及藝術麵包精神、技術、各種藝術麵包的主要元素並保留藝術麵包原有的特色風格創作。本創作共製作了16件藝術麵包作品,應用製作麵包技術和藝術創作及馬來西亞地

標代表物主題概念之整合,以抽象及仿真手法來結合與表現。期能透過本系列藝術麵包主題之創作,提供大眾以觀賞麵包的方式來認識馬來西亞更多不同的城市形象特色。