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This Desert Hides Nothing: Selections from the Work of Ellen Meloy with Photographs by Stephen Strom

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為了解決Turquoise green的問題，作者Meloy, Ellen 這樣論述：

Writer and naturalist Ellen Meloy and photographer Stephen Strom met in the fall of 2004 and began planning a collaborative book of images and prose expressing their shared love of the desert. Two months later, Meloy died suddenly at her home in southern Utah. Over the years to follow, Strom called

on Meloy's writing to put his new photographs to words. The collaboration seemed to deepen over time, and it comes to fruition in This Desert Hides Nothing. Ellen Meloy was a native of the West and lived in California, Montana, and Utah. Her book Eating Stone: Imagination and the Loss of the Wild

(2005) was a National Book Critics Circle Award finalist for nonfiction. The Anthropology of Turquoise: Reflections on Desert, Sea, Stone, and Sky (2002) was a finalist for the Pulitzer Prize and won the Utah Book Award and the Banff Mountain Book Festival Award in the adventure and travel category.

She is also the author of Raven’s Exile: A Season on the Green River (1994) and The Last Cheater’s Waltz: Beauty and Violence in the Desert Southwest (2001). A posthumous collection of Meloy’s radio essays, Seasons: Desert Sketches was published by Torrey House Press and Radio West in 2019. Meloy s

pent most of her life in wild, remote places; at the time of her sudden death in November 2004 (three months after completing Eating Stone), she and her husband were living in southern Utah. Stephen Strom spent his professional career as an astronomer. Born in 1942 in New York City, he graduated fro

m Harvard College in 1962. In 1964 he received his Masters and PhD in Astronomy from Harvard University. Stephen began photographing in 1978. His work, largely interpretations of landscapes, has been exhibited widely throughout the United States and is held in several permanent collections including

the Center for Creative Photography in Tucson, the University of Oklahoma Art Museum, the Mead Museum in Amherst, MA, and the Boston Museum of Fine Arts. His photography complements poems and essays in three books published by the University of Arizona Press: Secrets from the Center of the World, a

collaboration with Muscogee poet Joy Harjo; Sonoita Plain: Views of a Southwestern Grassland, a collaboration with ecologists Jane and Carl Bock; Tseyi (Deep in the Rock): Reflections on Canyon de Chelly, co-authored with Navajo poet Laura Tohe; as well as in Otero Mesa: America’s Wildest Grassland

, with Gregory McNamee and Stephen Capra, University of New Mexico Press (2008). Death Valley: Painted Light with poet Alison Deming was published in 2016 and is distributed by the University of Arizona Press.

Turquoise green進入發燒排行的影片

以水熱法製備CuS/PbS/ZnO光觸媒及於產氫之研究

為了解決Turquoise green的問題，作者郭誠敬 這樣論述：

中文摘要 iAbstract iii致謝 iv目錄 v表目錄 viii圖目錄 ix第一章 緒論 11-1 前言 11-2 研究動機 31-3 研究目的 4第二章 文獻回顧 52-1 光觸媒之特性 52-2 半導體分解水產氫原理 72-3 氧化鋅光觸媒 112-4 氧化鋅光觸媒分解水產氫之瓶頸及改善方法 132-4-1 光催化分解水產氫之瓶頸 132-4-2 改質氧化鋅提升產氫之效率 152-4-3 添加犧牲試劑以提升產氫量 222-5 量子點 252-5-1 量子點的特性 282-5-2 硫化鉛光催化應用 312-6 硫化銅 332-7 CuS/P

bS/ZnO 光觸媒反應機制 35第三章 實驗方法與步驟 373-1 實驗藥品 373-2 實驗儀器 383-3 實驗流程 393-3-1 ZnO之製備 393-3-2 PbS/ZnO 之合成 413-3-3 CuS/PbS/ZnO 之合成 433-3-4 CuS/PbS/ZnO 之命名方法 453-3-5 光催化產氫系統 463-4 儀器分析 483-4-1高解析場發射型掃描式電子顯微鏡(FE-Scanning electronic microscopy, FE-SEM) 483-4-2 穿透式電子顯微鏡(Transmission electron microscop

e, TEM) 493-4-3 X-光繞射分析儀(X-ray diffractometer, XRD) 503-4-4 紫外-可見-近紅外光吸收光譜儀(Ultraviolet-Visible-Near infrared, UV-Vis-NIR) 523-4-5 BET 比表面積分析儀/孔隙度分析儀(Brunauer-Emmett-Teller Specific surface area and porosity analyzer, BET) 533-4-6 光激發螢光光譜儀(Photoluminescence, PL) 543-4-7 氣相層析儀-熱導偵測器(Gas chromato

graph-Thermal conductivity detector, GC-TCD) 55第四章 結果與討論 584-1 材料特性分析 584-1-1 高解析場發射型掃描式電子顯微鏡分析(FE-SEM) 584-1-2 穿透式電子顯微鏡分析(TEM) 644-1-3 X-光繞射分析儀(XRD) 704-1-4 紫外-可見-近紅外光光譜分析(UV-Vis-NIR) 744-1-5 Tauc 曲線分析 804-1-6 比表面積分析(BET) 834-1-7 螢光光譜分析(PL) 914-2 光觸媒產氫 954-2-1 ZnO中負載硫化鉛 QDs 對產氫之影響 954-2

-2 負載不同含量之CuS NPs 對產氫之影響 984-2-3無添加犧牲試劑及甲醇犧牲試劑與Na2S 和 Na2SO3 混合液犧牲試劑對光觸媒產氫之影響 100第五章 結論 103第六章 參考資料 104

Seasons: Desert Sketches

為了解決Turquoise green的問題，作者Meloy, Ellen/ Proulx, Annie (FRW) 這樣論述：

"Brief essays buoyed by a wonderful conversational ease and puckish sense of humor." --THE WALL STREET JOURNAL"Profound, sometimes deceptively breezy...A slim volume, but you shouldn't be fooled. Seasons telescopes decades spent exploring home and the desert, two terms that for Meloy became synonyms

." --HIGH COUNTRY NEWS"Meloy's nonfiction sparkles, taunts, and ensnares the reader with her incisive humor and stunning depictions of desert landscapes and wildlife." --15 BYTES"This cinematically vivid collection feeds both intellect and soul, and shows that Meloy possessed the brevity and vision

of a poet, and the coy sass of an understated comedian." --PUBLISHERS WEEKLY"These essays explore life in the desert lived by a woman who loved it fiercely. A vital collection." --LIBRARY JOURNAL, starred review"Ellen Meloy just might be my favorite Utah writer. She's smart and witty. She's laugh-ou

t-loud funny. She's self-deprecatory and never preachy. She always gets her natural history right. And her writing is sufficiently gorgeous for her books to be finalists for the Pulitzer Prize and the National Book Critics Circle Award. Seasons serves as a fine introduction to the work of this under

appreciated writer. Meloy grounds us in her home landscape--our home landscape, where, she realizes, 'I always belonged, but didn't know it.' To earn our place in this red rock desert community, Meloy asks us to 'slow down, pay attention, stay local, go deep.' That's what she does here, and we are p

rivileged to travel with her through the cycles of southern Utah seasons as she searches for 'the core of home.'" --STEPHEN TRIMBLE, editor of Red Rock Stories: Three Generations of Writers Speak on Behalf of Utah's Public LandsThe late writer and naturalist Ellen Meloy wrote and recorded a series o

f audio essays for KUER, NPR Utah in the 1990s. Every few months, she would travel to their Salt Lake City studios from her red rock home of Bluff to read an essay or two. With understated humor and sharp insight, Meloy would illuminate facets of human connection to nature and challenge listeners to

examine the world anew. Seasons: Desert Sketches is a compilation of these essays, transcribed from their original cassette tape recordings. Whether Meloy is pondering geese in Desolation Canyon or people at the local post office, readers will delight in her signature wit and charm--and feel the pu

ll of the desert she loves and defends. With a foreword by Annie Proulx. "Ellen Meloy just might be my favorite Utah writer. She's smart and witty. She's laugh-out-loud funny. She's self-deprecatory and never preachy. She always gets her natural history right. And her writing is sufficiently gorgeou

s for her books to be finalists for the Pulitzer Prize and the National Book Critics Circle Award. "Seasons serves as a fine introduction to the work of this underappreciated writer. Meloy grounds us in her home landscape--our home landscape, where, she realizes, 'I always belonged, but didn't know

it.' To earn our place in this red rock desert community, Meloy asks us to 'slow down, pay attention, stay local, go deep.' "That's what she does here, and we are privileged to travel with her through the cycles of southern Utah seasons as she searches for 'the core of home.'" --STEPHEN TRIMBLE, edi

tor of Red Rock Stories: Three Generations of Writers Speak on Behalf of Utah's Public Lands Ellen Meloy was a native of the West and lived in California, Montana, and Utah. Her book The Anthropology of Turquoise (2002) was a finalist for the Pulitzer Prize and won the Utah Book Award and the Banf

f Mountain Book Festival Award in the adventure and travel category. She is also the author of Raven’s Exile: A Season on the Green River (1994), The Last Cheater’s Waltz: Beauty and Violence in the Desert Southwest (2001), and Eating Stone: Imagination and the Loss of the Wild (2005). Meloy spent m

ost of her life in wild, remote places; at the time of her sudden death in November 2004 (three months after completing Eating Stone), she and her husband were living in southern Utah.

應用rGO/TiO₂-PVDF與rGO/TiO₂-PSF薄膜光觸媒去除不同親疏水PPCPs研究

為了解決Turquoise green的問題，作者張念慈 這樣論述：

本研究應用自製rGO/TiO2複合光觸媒薄膜，探討去除系列水中藥物和個人保健品 (Pharmaceuticals and personal care products, PPCPs)的可行性。研究中以磺胺二甲嘧啶 (Sulfamethazine，SMZ)、磺胺嘧啶 (Sulfadiazine，SDZ)、乙醯胺酚 (Acetaminophen，ACE)、布洛芬 (Ibuprofen，IBU)等四種不同親疏水特性PPCPs為目標污染物，進行以近紫外光為光源下的TiO2光催化分解反應。探討不同固定化基材 (PVDF與PSF)、摻雜rGO比例 (0~7%)、水溶液酸鹼值 (pH= 3~11)、以及污

染物親疏水性等實驗條件，對液相光催化分解速率之影響，並據以探討相關的反應機制。研究結果顯示：本研究證實所製備的rGO/TiO2-PVDF和rGO/TiO2-PSF系列薄膜光觸媒，可在近紫外光 (λ= 352 nm)照射下，對於四種PPCPs (SMZ、SDZ、ACE和IBU)進行快速地光催化分解，呈現擬一階分解反應動力關係，經由適量rGO的摻雜 (3~5%)，可提高0.3~1.7倍的分解速率。而且以在酸性環境下的反應速率提升較多，其主要影響機制，仍在於反應物與觸媒間的吸附行為的改變；SMZ、SDZ、ACE及IBU四種PPCPs之光催化分解速率，以在pH= 3酸性環境中分解速率最快，其速率約為p

H= 11時的2~3倍。主因係在酸性環境中，反應物較容易被光觸媒所吸附；此外由於PVDF薄膜比PSF具備較多的微孔洞結構，可受光的光觸媒量也較多，故以擔任光觸媒薄膜基材目標而言，PVDF為較理想的選項；最後，針對本研究所測試的系列PPCPs污染物的光催化分解而言，由於反應物吸附於光觸媒上的行為，仍關鍵地影響整體的光催化反應速率。故rGO的摻雜雖然可提升光觸媒的活性，但其主要貢獻仍在於改變觸媒對反應物的吸附行為，而且因為rGO本質上的疏水特性，其摻雜量須適量。綜合比較四種PPCPs的光催化分解速率，可以觀察到較親水性SMZ、SDZ、ACE等PPCPs，因與親水性TiO2的親和力較大，普遍其分解速

率也較疏水性的IBU快。本研究據以推論此類光催化分解反應的速率限制步驟，仍主要在於反應物被光觸媒吸附的難易程度。當水溶液環境改變時，反應物在水中以分子或離子分布情形，以及二氧化鈦光觸媒表面的電荷等，也皆會隨之改變，成為一複雜的競爭吸附行為。液相光催化反應在水分子包覆干擾下，反應物的親疏水性雖然可以用來判斷，但無法完全決定整體光催化反應速率。最終的反應速率快慢，仍需視反應物與光觸媒間的吸附關係，以及光觸媒當時的活性而定。