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Things Are Never So Bad That They Can’’t Get Worse: Inside the Collapse of Venezuela

為了解決Oil paints的問題，作者Neuman, William 這樣論述：

Richly reported...a thorough and important history. -Tim Padgett, The New York Times A nuanced and deeply-reported account of the collapse of Venezuela, and what it could mean for the rest of the world.Today, Venezuela is a country of perpetual crisis--a country of rolling blackouts, nearly wort

hless currency, uncertain supply of water and food, and extreme poverty. In the same land where oil--the largest reserve in the world--sits so close to the surface that it bubbles from the ground, where gold and other mineral resources are abundant, and where the government spends billions of dollar

s on public works projects that go abandoned, the supermarket shelves are bare and the hospitals have no medicine. Twenty percent of the population has fled, creating the largest refugee exodus in the world, rivaling only war-torn Syria’s crisis. Venezuela’s collapse affects all of Latin America, as

well as the United States and the international community. Republicans like to point to Venezuela as the perfect example of the emptiness of socialism, but it is a better model for something else: the destructive potential of charismatic populist leadership. The ascent of Hugo Chávez was a precurso

r to the emergence of strongmen that can now be seen all over the world, and the success of the corrupt economy he presided over only lasted while oil sold for more than ＄100 a barrel. Chávez’s regime and policies, which have been reinforced under Nicolás Maduro, squandered abundant resources and ul

timately bankrupted the country.Things Are Never So Bad That They Can’t Get Worse is a fluid combination of journalism, memoir, and history that chronicles Venezuela’s tragic journey from petro-riches to poverty. Author William Neuman witnessed it all firsthand while living in Caracas and serving as

the New York Times Andes Region Bureau Chief. His book paints a clear-eyed, riveting, and highly personal portrait of the crisis unfolding in real time, with all of its tropical surrealism, extremes of wealth and suffering, and gripping drama. It is also a heartfelt reflection of the country’s grea

t beauty and vibrancy--and the energy, passion, and humor of its people, even under the most challenging circumstances.

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紫外光固化油性塗料之研究

為了解決Oil paints的問題，作者楊智傑 這樣論述：

本研究為探討紫外光固化油性塗料之製備，因此可被應用於印刷業、高溫電器商品、食品包裝、服裝、藝術品等，各類變色功能中扮演著重要角色。 本研究採用之配製方法、操作方便、設備簡單，生產成本低，並嚐試改變發色團含量、溫度、油相種類及印刷方式等變數，探討其對於塗料性能之影響。而塗料性能以光學顯微鏡、SEM、DLS和色度計等。另以不同之印刷方式，判斷與觀察本研究之油性塗料的變色能力。 經實驗證實本研究製備之紫外光固化油性塗料EBEC-2022-MC-INK，其變色為不可逆優異且於60℃、40℃、25℃及5℃下進行變色測試後，得產品顏色變化之差異。 常見之油性塗料在印刷上多為平版印刷呈現

，而本研究製備之紫外光固化油性塗料將以發色團含量為11.2％、溫度為40℃、油相為油相C呈現，分為平版印刷及絲網印刷兩種，以比較兩者的差異。其中由絲網印刷的圖案顏色較為鮮豔且清楚，顏色由黃色變成藍綠色，其色差值(ΔE)為16.67，但其厚度較厚所需的塗料也較多，成本較高，而平版印刷的圖案顏色較不明顯，顏色由黃色變成淺藍色，其色差值(ΔE)為17.70，但其厚度較薄所需的塗料也較少，成本較低。

Jd Miller: Reflections from Dragon Street

為了解決Oil paints的問題，作者Miller, Jd 這樣論述：

JD Miller began his painting career 25 years ago with a vision: to pursue the law of attraction through his art. And in this pursuit, Reflectionism was born. Miller began using oil paints and sensorial experiences to create the 3-dimensional oil technique he continues to work in today. With this 3-d

imensional oil, Miller conveys his sense of freedom, his joy in the miracle of creation, and the synchronicity of the universe. Miller’s passion for painting and his process of like energy attracting like energy translates the law of vibration into the energy emanating from his work. JD Miller began

his painting career 25 years ago with a vision: to pursue the law of attraction through his art. And in this pursuit, Reflectionism was born. Miller began using oil paints and sensorial experiences to create the 3-dimensional oil technique he continues to work in today. With this 3-dimensional oil,

Miller conveys his sense of freedom, his joy in the miracle of creation, and the synchronicity of the universe. Miller’s passion for painting and his process of like energy attracting like energy translates the law of vibration into the energy emanating from his work.

研究穩定抗生物分子沾黏材料之分子結構設計、改質程序建構及生物醫學應用

為了解決Oil paints的問題，作者唐碩禧 這樣論述：

　　自二戰時期到現在，生物惰性材料已發展超過80個年頭，科學家們已了解到利用氫鍵受體或是雙離子結構，可產生厚實的水合層來屏蔽生物分子。然而，進行生物惰性的改質時，由於表面自由能與粗糙度的影響，會讓改質劑難以良好地附著在材料表面上，並在乾燥過程中產生皺縮甚至龜裂的現象。此外，目前的化學接枝方式不但程序繁瑣又耗時，使用藥劑又對環境不友善。而更令人煩惱的是，目前絕大多數的改質劑都是使用具有酯類或是醯胺類官能基的壓克力材料，對於長時間在生物環境中使用會有水解的疑慮，進而導致使用壽命減少的風險產生。　　因此，本論文將分別著重在－改質物的附著性提升、快速化學接枝、抗水解之生物惰性結構設計等三部份進行探討

。以期望未來的生醫材料之設計與生產，能夠朝向穩定而快速的改質以及耐用來發展。　　本論文第一部份使用常壓空氣電漿進行5分鐘的表面活化，使表面氧元素增加24倍，並大幅降低改質物PS-co-PEGMA的聚集現象。而超音波微粒噴塗技術不但可精確控制改質密度達0.01 mg/cm2，且當達到0.3 mg/cm2時，表面即被改質物完整覆蓋。以此技術進行生化檢測盤改質，可提升8倍的檢測靈敏度，使試劑即便稀釋128倍，仍具有高度辨識性。　　本論文第二部份使用親水性雙離子環氧樹脂Poly(GMA-co-SBMA)搭配UV光固化技術，可使每平方公尺的PET不織布纖維薄膜僅需11.5 g的高分子，並照光不到30分鐘

，即可降低近8成的血液貼附及9成的細胞貼附。未來對於PU及PEEK的改質，或是應用在微流道及微型晶片實驗室之領域，這種一步驟快速化學接枝的清潔製程，具有相當大的應用潛力。　　本論文第三部份使用非壓克力型雙離子高分子zP(S-co-4VP)，對材料進行快速的自組裝塗佈改質。不但可降低98%的細菌與血液貼附量，且經過高溫濕式滅菌後的細菌貼附量僅上升74%，而壓克力型雙離子高分子P(S-co-SBMA)卻增加192%。這對於未來在發酵產業、反覆滅菌、長時間使用等需求來說，具有相當大的應用潛力。